- To create a beautiful garden
- To grow awareness of the value of creating, sustaining and managing coppice woodland.
- To improve perception of the range of materials that can be harvested from coppice woodland.
- To showcase what can be made using materials harvested from coppice.
- To develop the idea of the application of these products in people’s gardens
- To display and enhance appreciation of the aesthetic qualities of coppice and coppice products in our gardens.
- To enhance and share experience of the creative, emotional and spiritual value of coppice woodland.
- To create public awareness and understanding about coppicing and the value of the work carried out by coppicers and woodland workers as well as promoting the use of the products generated from the coppiced woodlands.”
This design is open at the front. The initial view is dominated by a structure built from roundwood and hurdles that supports a sail type roof. This will be open and offer views through a wooden colonnade into the garden. It is hoped that this will be accessible to visitors, though show policy may impose constraints on this. Simple bench seating will be located beneath the sail roof. It is suggested that the column be made in a manner suggestive of ancient/classical buildings.
Design for a Coppicer’s Garden by John Esling
The intent is to move away from the perception of the “rustic” nature of coppice products and introduce the notion of creating structures using elements from other design languages with less sense of contingency and more “sophistication”. Carving a row of columns in the building together with numerous roundwood elements is also intended to communicate the evolution of living tree into a crafted structure. A spectrum from nature to nurture with human engagement forming structure. I have, half seriously, characterised this style as “Rusticklassical”.
The structure, except for the columns, is very simple for practical reasons and to encourage a focus through, as well as on it, to the coppice beyond. The colonnade also forms a perimeter around a kind of temenos (classical religious enclosure). The intent is to communicate a sense of the coppice as a special place.
The perimeter of the garden and elements in the structure, will be formed from hazel and willow fencing. This will be in different styles, showcasing a range of skills, uses and designs. Although these will differ, the overall design of the space will maintain a collective design unity.
In the area adjacent to the structure is an active demonstration area. This could accommodate pole lathing, whittling, hurdle making or other woodland crafts. I feel that there needs to be an element of performance in the garden although this may be an issue for the RHS. It may be possible to take orders for products and work during the show though the RHS does not permit direct selling from show gardens.
My experience is that this project should be part of an awareness raising effort whose success may, in future, be measurable in terms of income and activity.
Since composing the above I have had further thoughts.
- Include a “workshop” area in the design (potentially problematic for the RHS)
- Add some “borrowed landscape” into the garden to increase the sense of scale. This could be done by moving the perimeter structure at the far end forward and planting beyond it
- Include some metal screens with a coppice motif cut out.
- The ash tree is problematic and would need replacing with a different species.
- Remove the triskele motif (self-indulgence on my part)
All this is up for discussion. All suggestions and commitments to help are welcome.
John Esling, Greensmith and Hedgery. John is currently a member of the East Anglian Coppice Network. www.greensmithandhedgery.co.uk
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